Archive for December 30th, 2012

30
Dec
12

In Pursuit of the Juiciest Wine: Day 126 – E=MC^2 Quantum Reserve Relativity Vineyards 2007

The end of the year is near, and so is my most prolific poem writing year or nearly most prolific poem writing year. On December 26, I realized I wrote 92 poems and two poem translations this year. That seems a lot, at least for me. But it seems like previous generations of poets wrote a lot more. You hear stories of how they work up each morning at 4 a.m. and wrote for a couple of hours into the sunrise. My generation and the ones following my generation are not at all like that. It seems, however, I should be able to write at least 100 poems per year. You know, two per week. That shouldn’t be that difficult. I’m mean, especially if I’m a poet. But lately (over the past few years), it seems one poem per week is a good pace. But since I was close to 100 poems for the year, I tried to write and get there. I’m at 96 poems and two translations, now. I’m not going to make it to 100. It’s not that I can’t write, but I don’t know what to write about. Nothing is coming. Maybe it’s just because my three years of writing Paleolithic poems has come to its end, and I’m having a hard time remembering how to write a standard poem. The 96th poem I wrote was a blank verse sonnet (unrhymed sonnet) titled “Coda.” I woke up with it. It came out quick and easy. And it might be the last Paleolithic poem I write. Even though I thought I had stopped writing them in November sometime, they keep popping up. I still would like to move on.

E=MC2 Quantum Reserve Relativity Vineyards 2007 bottleSince I’ve nothing to write about, I’m going to drink and write about it. I am fully aware that a drink cannot fill the emptiness of an unwritten poem, . . . but the writing about it can be a temporary fix. Bonus! I’m going to be drinking what I hope is very good wine: E=MC2 Quantum Reserve Relativity Vineyards 2007.

I went looking for images of this wine, but there’s not much out there, and there’s not much written about, either. It is a blended red wine. It is 15.4% alcohol, which is a lot. I found someone who claims the blend is:

zinfandel, petite syrah, syrah, charbono, gamay, cab, and malbec, selected from excess bulk wines provided by some more well-known and unnamed vineyards.

(http://spiritofwine.blogspot.com/2010/04/relativity-vineyards-quantum-reserve.html).

I did take this picture of the cork. You can click it to make it bigger.

E=MC^2 cork

The label is hard to make out. But the in embossed in black near the label’s top, it reads “E=MC2“. Below that in red, it reads “RELATIVITY VINEYARDS”. And in the red band, it reads “Quantum Reserve”.

E=MC^2 Quantum Reserve Relativity Vineyards 2007 label

The back of the label indicates the wine is from Saint Helena, California.

Enough of the surface stuff. Let’s get the bottle’s insides. Let’s get to the tasting.

Einstein's tongue

E=MC2 Quantum Reserve has dark cherry color. It’s about 85-90% opaque.

It’s nose is delicious. There’s vanilla, plums, raspberries, dark cherries, black currants, and a hint of strawberries. I think it going to be jammy.

It’s oddly salty, especially on the finish. That’s weird. I’ve never experienced that before. I wonder if Saint Helena is near the ocean. (I just checked. It’s about 60 miles inland. I doubt salty ocean breezes travel that far.)

I pick up cantaloupe on the taste and maybe a hint of chocolate and a hint of raspberry jam. It’s hard to pick up much. This would be a really good wine if it wasn’t salty. It’s less salty each sip, but it is still noticeable . . . noticeable on the finish but not in the mouth. I think the salt is some how related to the Malbec. There’s also cherry Kool-Aid on the finish.

What a weird wine.

I’m going to give this 87 points. Without the salt it could be an 89, but it’s difficult to be sure.

I definitely over paid for this one.

And now for a haiku I wrote earlier this year:

   Einstein's Haiku
     (For Melissa)

   Everything I do
   Means I want to love you squared –
   Come with me and prove

To learn more about the cool things going on in that haiku, go here: https://thelinebreak.wordpress.com/2012/04/06/einsteins-haiku.//

30
Dec
12

Melissa Kwasny’s Toward the Open Field: Poets on the Art of Poetry, 1800-1850 (2004)

Over the next few weeks or months, I will post all my reviews (“Tom’s Celebrations”) that appeared in Redactions: Poetry, Poetics, & Prose (formerly Redactions: Poetry & Poetics) up to and including issue 12. After that, my reviews appeared here (The Line Break) before appearing in the journal. This review first appeared in issue 4/5, which was published circa early 2005.

//

Melissa Kwasny's – Toward the Open FieldMelissa Kwasny has compiled a collection of worthy essays by poets on free verse, or the movement toward free verse, beginning with William Wordsworth’s “Preface to the Lyrical Ballads” & up to & including Charles Olson’s “Projective Verse.” As with all anthologies, there should be some surprises, or unique opportunities that are seized, & both are had here. Included in this collection are two often overlooked essays: “Modern Poetry” by Mina Loy & “The Negro Artist and the Racial Mountain” by Langston Hughes. But that is not what makes this anthology a unique & exciting collection of poetics. What puts this anthology over the top & is it contains essays from poets of non-English languages, including Charles Baudelaire, Arthur Rimbaud, Stéphane Mallarmé, André Breton, Federico García Lorca, Paul Valéry, & Aimé Césaire. Kwasny’s Toward the Open Field: Poets on the Art of Poetry, 1800-1950  (Wesleyan University Press, 2004) also comes with a decent “Selected Bibliography” for other sources of essays on poetics, but it does lack an index.

I recommend this anthology for every poet’s library as a great reference & to remind us of where we came from & what we are trying to do. I also strongly urge that every MFA program across the land incorporate this anthology into their creative writing poetry classes, as a historical primer for free verse. This anthology is too beneficial for our younger poets to overlook. I do hope another volume comes out that features more essays from 1950-2000 by more contemporary poets. There is always growth in poetry, & there has been significant growth since 1950.//

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Kwasny, Melissa. Toward the Open Field: Poets on the Art of Poetry, 1800-1950. Middletown, CT: Wesleyan University Press, 2004.//




The Cave (Winner of The Bitter Oleander Press Library of Poetry Book Award for 2013.)

The Cave

Poems for an Empty Church

Poems for an Empty Church

The Oldest Stone in the World

The Oldest Stone in the Wolrd

Henri, Sophie, & The Hieratic Head of Ezra Pound: Poems Blasted from the Vortex

Henri, Sophie, & The Hieratic Head of Ezra Pound: Poems Blasted from the Vortex

Pre-Dew Poems

Pre-Dew Poems

Negative Time

Negative Time

After Malagueña

After Malagueña

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