Posts Tagged ‘Black Lawrence Press

16
Jun
12

Presses with Open Readings for Full-Length Poetry Manuscripts

Below is a list of presses with open readings for full-length poetry manuscripts. Most of the listings have free open readings, but I have included some that charge a Submittable fee or a reading fee, but I do try to limit it to just free open readings. Before the pandemic, I kept it up to day, but during the pandemic I did not. 😟 From now on, I will try to keep this list up to date.

Press with Open Reading for Full-Length Poetry Manuscripts

All the Time Open Readings (Updated 7-21-2022.)

January Open Readings (Checked and updated 1-3-20.)
February Open Readings
  • Astrophil Press (University of South Dakota. Open reading period has changed. No known dates.)
  • BkMk Press (February 1 through June 30. Process begins with a sample of 10 pages of poetry. See guidelines. . . . “BkMk Press is not accepting open submissions at this time. We will make an announcement here when we are able to consider new work” as of 5-25-2022.)
  • Broken Sleep Books (“We particularly wish to encourage more working-class writers, LGBTQ+, and BAME writers to submit.” January 1 through February 28)
  • Canarium Books
  • CavanKerry Press (For Laurel Books, Emerging Voices, and Notable Voices imprint only. $20 reading fee.)
  • Cherry Castle Publishing (February 5 to March 5.)
  • ELJ Publications (February 1 to April 1. $5.)
  • Galileo Press (Ends 3-1-19. An imprint of Free State Review.)
  • Inside the Castle (January 1 to March 1. Closed in 2022.)
  • McSweeney’s Books (“Submissions are currently closed. We don’t have an exact date when they’ll reopen, but we’d suggest checking back in a few months. Thank you for considering McSweeney’s. (3/1/20).” This message still appears on 5-25-2022.)
  • Milk and Cake Press (January 1, 2020, to April 30, 2020.)
  • Panhandler Books
  • Terrapin Books (January 24 to February 28, 2020 and August 1 to August 31. $12.)
March Open Readings
  • Astrophil Press (University of South Dakota. Open reading period has changed. No known dates.)
  • BkMk Press (February 1 through June 30. Process begins with a sample of 10 pages of poetry. See guidelines. . . . “BkMk Press is not accepting open submissions at this time. We will make an announcement here when we are able to consider new work” as of 5-25-2022.)
  • CavanKerry Press (For Laurel Books, Emerging Voices, and Notable Voices imprint only. $20 reading fee.)
  • Cherry Castle Publishing (February 5 to March 5.)
  • Cormorant Books. (“Publishes writers who are both Canadian citizens and permanent residents of Canada.” March 1 – April 15, 2020.)
  • ELJ Publications (February 1 to April 1. $5.)
  • Galileo Press (Ends 3-1-19. An imprint of Free State Review.)
  • Glass Lyre Press (. March 15 to April 31. $15 reading fee. Checked 1-3-20.)
  • Gold Wake Press (Open reading begins March 1. There is no specified end date. Next open reading begins September 1 with no specified end date. Checked 10-10-2022.)
  • Inside the Castle (January 1 to March 1. Closed in 2022.)
  • McSweeney’s Books (“Submissions are currently closed. We don’t have an exact date when they’ll reopen, but we’d suggest checking back in a few months. Thank you for considering McSweeney’s. (3/1/20).” This message still appears on 5-25-2022.)
  • Milk and Cake Press (January 1, 2020, to April 30, 2020.)
  • Panhandler Books
  • Sibling Rivalry Press (March 1 – June 1. . . . “After a decade of disturbance, we’re hitting pause on our annual open-submission period. Watch this space or follow our social media accounts, and we’ll let you know when we open for submissions again.” This message appears on 5-25-2022.)
  • University Press of Kentucky: New Poetry and Prose Series. (Begin with query. March 15 – May 15. “There are presently no open calls for submissions.” Checked 5-25-2022.)
  • The Waywiser Press (“Authors who have published two or more previous collections of poems.” March 1 – July 1.)
April Open Readings (last checked and updated 4-2-18)
  • Astrophil Press (University of South Dakota. Open reading period has changed. No known dates.)
  • Barefoot Muse Press (April 1 – April 30. “Poems should demonstrate an allegiance to meter/form.”)
  • BkMk Press (February 1 through June 30. Process begins with a sample of 10 pages of poetry. See guidelines. . . . “BkMk Press is not accepting open submissions at this time. We will make an announcement here when we are able to consider new work” as of 5-25-2022.)
  • Close-Up Books (April 30 to July 30. “Close-Up Books is currently on hiatus as of February 2021.”)
  • Cormorant Books. (“Publishes writers who are both Canadian citizens and permanent residents of Canada.” March 1 – April 15, 2020.)
  • Glass Lyre Press (. March 15 to April 31. $15 reading fee. Checked 1-3-20.)
  • McSweeney’s Books (“Submissions are currently closed. We don’t have an exact date when they’ll reopen, but we’d suggest checking back in a few months. Thank you for considering McSweeney’s. (3/1/20).” This message still appears on 5-25-2022.)
  • Milk and Cake Press (January 1, 2020, to April 30, 2020.)
  • New Rivers Press
  • Octopus Books
  • Panhandler Books
  • Sibling Rivalry Press (March 1 – June 1. . . . “After a decade of disturbance, we’re hitting pause on our annual open-submission period. Watch this space or follow our social media accounts, and we’ll let you know when we open for submissions again.” This message appears on 5-25-2022.)
  • University Press of Kentucky: New Poetry and Prose Series. (Begin with query. March 15 – May 15. “There are presently no open calls for submissions.” Checked 5-25-2022.)
  • The Waywiser Press (“Authors who have published two or more previous collections of poems.” March 1 – July 1.)
  • Willow Books
  • Woodley Press (“Woodley Press strives to publish books by Kansans or books that focus on Kansas.”)
  • YesYes Books (April 1 – May 15. $22. “There are presently no open calls for submissions” as of 5-25-2022.)
May Open Readings (Checked and updated 5-25-2022)
  • Able Muse Press (May 1 to July 15.)
  • BkMk Press (February 1 through June 30. Process begins with a sample of 10 pages of poetry. See guidelines. . . . “BkMk Press is not accepting open submissions at this time. We will make an announcement here when we are able to consider new work” as of 5-25-2022.)
  • Close-Up Books (April 30 to July 30. “Close-Up Books is currently on hiatus as of February 2021.”)
  • The Elephants ($15. May 1 to June 30.)
  • McSweeney’s Books (“Submissions are currently closed. We don’t have an exact date when they’ll reopen, but we’d suggest checking back in a few months. Thank you for considering McSweeney’s. (3/1/20).” This message still appears on 5-25-2022.)
  • New Rivers Press (“General Submissions are temporarily on hiatus” as of 5-25-2022.)
  • Ninebark Press (“As of March 2020, Ninebark Press is on hiatus.” Checked on 5-25-2022.)
  • Sibling Rivalry Press (March 1 – June 1. . . . “After a decade of disturbance, we’re hitting pause on our annual open-submission period. Watch this space or follow our social media accounts, and we’ll let you know when we open for submissions again.” This message appears on 5-25-2022.)
  • Sundress Publications ($13 reading fee.)
  • Unicorn Press (May 1 to June 30.)
  • University Press of Kentucky: New Poetry and Prose Series. (Begin with query. March 15 – May 15. “There are presently no open calls for submissions.” Checked 5-25-2022.)
  • The Waywiser Press (“Authors who have published two or more previous collections of poems.” March 1 – July 1.)
  • Willow Books
  • YesYes Books (April 1 – May 15. $22. “There are presently no open calls for submissions” as of 5-25-2022.)
June Open Readings (Checked and updated 6-1-2022)
  • Airlie Press (June 1 to July 31. Pacific Northwest poets.)
  • Able Muse Press (May 1 to July 15.)
  • BkMk Press (February 1 through June 30. Process begins with a sample of 10 pages of poetry. See guidelines. . . . “BkMk Press is not accepting open submissions at this time. We will make an announcement here when we are able to consider new work” as of 5-25-2022.)
  • Black Lawrence Press
  • Close-Up Books (April 30 to July 30. “Close-Up Books is currently on hiatus as of February 2021.”)
  • Four Way Books ($30 reading fee. June 1-30.)
  • McSweeney’s Books (“Submissions are currently closed. We don’t have an exact date when they’ll reopen, but we’d suggest checking back in a few months. Thank you for considering McSweeney’s. (3/1/20).” This message is still there on 6-1-2022.)
  • Red Hen Press 
  • River River Press (June 1 – July 31. “Pay-what-you-can reading fee.”)
  • Sibling Rivalry Press (March 1 – June 1. . . . “After a decade of disturbance, we’re hitting pause on our annual open-submission period. Watch this space or follow our social media accounts, and we’ll let you know when we open for submissions again.” This message appears on 5-25-2022.)
  • Sundress Publications (June 1 – August 31. $13 reading fee.)
  • Unicorn Press (May 1 to June 30.)
  • The Waywiser Press (“We regret we cannot consider submissions from authors who have published two or more previous collections of poems.” March 1 – July 1.)
  • Willow Books
July Open Readings (Checked and updated 7-1-2022 through 7-25-2022)
August Open Reading (Checked and updated 8-1-22)
  • Cavan Kerry Press (“‘Pay what you can’ structure, with $10, $18, and $25 options.”)
  • Deerbrook Editions (“Suspended until further notice. . . . The normal reading period is August 1 to October 1.”)
  • The Emma Press (July 18 through August 14)
  • FutureCycle Press (They read July through September.)
  • Gasher Press (Not sure when it opened, but it closes on August 31)
  • Kore Press (Currently closed.)
  • Lummox Press (July 1 to August 31. Begin with query.)
  • Mayapple Press (Currently closed to submissions.)
  • McSweeney’s Books (“Submissions are currently closed. We don’t have an exact date when they’ll reopen, but we’d suggest checking back in a few months. Thank you for considering McSweeney’s. (3/1/20).” This message still appears on 5-25-2022.)
  • Rose Metal Press (“We are not currently accepting manuscripts or manuscript queries. . . . and plan to have a submission period in 2023.”)
  • The Song Cave (“We are not taking submissions at this time.”)
  • Sundress Publications (June 1 – August 31. $13 reading fee.)
  • Terrapin Books (January 24 to February 28 and August 1 to August 31. $12.)
  • Tupelo Press (July 1 to August 31. $30 open reading fee.)
  • University of Pittsburgh Press (August 1 to September 20. Pitt Poetry Series. For poets who have previously published a poetry book.
September Open Readings (Checked and updated 9-11-2022)
  • Bat Cat Press (“We welcome the submission of complete manuscripts throughout the year. We read in the fall (September-December) and typically send out accept/decline letters in December and January.” . . . They plan to reopen “in the 2022/2023 school year.” )
  • Black Ocean (They are currently accepting “submissions of poetry by BIPOC authors.” September 9 to October 15.)
  • Deerbrook Editions (“Suspended until further notice. . . . The normal reading period is August 1 to October 1.”)
  • FutureCycle Press (They read July through September.)
  • Kore Press (Currently closed.)
  • McSweeney’s Books (“Submissions are currently closed. We don’t have an exact date when they’ll reopen, but we’d suggest checking back in a few months. Thank you for considering McSweeney’s. (3/1/20).” This message still appears on 9-11-2022.)
  • Sidebrow Books (Currently closed. “Sign up for our mailing list to be notified of our next reading period.”)
  • Tarpaulin Sky Press (“Will open soon. Please join out mailing list to be notified.”)
  • University of Pittsburgh Press (August 1 to September 20. Pitt Poetry Series. For poets who have previously published a poetry book.)
October Open Readings (Checked and updated 10-20-2022)
  • Bat Cat Press (“We welcome the submission of complete manuscripts throughout the year. We read in the fall (September-December) and typically send out accept/decline letters in December and January.” . . . They plan to reopen “in the 2022/2023 school year.” )
  • Black Ocean (They are currently accepting “submissions of poetry by BIPOC authors.” September 9 to October 15.)
  • Carnegie Mellon University Press (They plan to reopen in October 2023.)
  • co-im-press (“Likes works in translation that are strange, transgressive, visceral-mystical, or “unpublishable” through traditional means.”)
  • Counterpath (Begin with a query and a short sample.)
  • Deerbrook Editions (“Suspended until further notice. . . . The normal reading period is August 1 to October 1.”)
  • El Balazo Press
  • Gold Wake Press (Open reading begins March 1. There is no specified end date. Next open reading begins September 1 with no specified end date. Checked 10-10-2022.)
  • Jacar Press: The New Voices Series ($15)
  • Kore Press (Currently closed.)
  • McSweeney’s Books (“Submissions are currently closed. We don’t have an exact date when they’ll reopen, but we’d suggest checking back in a few months. Thank you for considering McSweeney’s. (3/1/20).” This message still appears on 10-10-2022.)
  • Milkweed Editions (“Milkweed Editions is not currently open to unsolicited submissions. We will make an announcement via our newsletter and update this page if plans change.”)
  • Sidebrow Books (Currently closed. “Sign up for our mailing list to be notified of our next reading period.”)
  • Tavern Books: The Wrolstad Contemporary Series ($15 reading fee. “The Wrolstad Contemporary Poetry Series is only open to female poets aged 40 years or younger. Entrants must be US citizens.” October 1 to January 15.)
November Open Readings (Checked and updated 11-14-18)
  • Bat Cat Press “We welcome the submission of complete manuscripts throughout the year. We read in the fall (September-December) and typically send out accept/decline letters in December and January.” . . . They plan to reopen “in the 2022/2023 school year.” )
  • Black Lawrence Press
  • Copper Canyon Press (Our open reading period is currently closed. We will reopen for submissions in Fall 2023.)
  • McSweeney’s Books (“Submissions are currently closed. We don’t have an exact date when they’ll reopen, but we’d suggest checking back in a few months. Thank you for considering McSweeney’s. (3/1/20).” This message still appears on 5-25-2022.)
  • Tavern Books: The Wrolstad Contemporary Series ($15 reading fee. “The Wrolstad Contemporary Poetry Series is only open to female poets aged 40 years or younger. Entrants must be US citizens.” October 1 to January 15.)
  • WordTech Communications (Includes the following imprints Cherry Grove Collections, CW Books, David Robert Books, Turning Point, Word Press, and WordTech Editions.)
December Open Readings
  • Bat Cat Press (“We welcome the submission of complete manuscripts throughout the year. We read in the fall (September-December) and typically send out accept/decline letters in December and January.” . . . They plan to reopen “in the 2022/2023 school year.” )
  • Brick Road Poetry Press (75-100 pages. December 1, 2019 – January 31, 2020.)
  • Future Poem Books (December 1 through January 15.)
  • Green Lantern Press (December 1 through January 30.)
  • Tavern Books: The Wrolstad Contemporary Series ($25 reading fee. “The Wrolstad Contemporary Poetry Series is only open to female poets aged 40 years or younger. Entrants must be US citizens.” October 1 to January 15.)
  • Tinderbox Editions (December 1-7 fee-free open reading period. December 1 – January 30 $22 donation period.)
  • WordTech Communications (Includes the following imprints Cherry Grove Collections, CW Books, David Robert Books, Turning Point, Word Press, and WordTech Editions. Closes December 15.)

//

More to come.

//

Ultimate Update: October 10, 2022

  • Removed from October:
    • boost house
    • Orison Books

Penultimate Update: September 11, 2022

  • Added University of Pittsburgh Press to August
  • Removed from September, October, and November: Arktori Books

Antepenultimate update: August 1 2022:

  • Added to All the Open Readings: co•im•press
  • Removed from August:
    • Arktori Books
    • Spork Press
    • Spring Gun Press
    • Willow Books

Preantepenultimate update: 7-1-2022 through 7-25-2022:

  • Added to All the Time Open Readings:
    • Arteidolia Press
    • Blue Figure Press
    • Grieveland
    • Moon Tide Press
    • Wood & Water Press
    • Querencia Press
  • Added to July:
    • Bad Betty Press
    • Belle Point Press
    • The Emma Press
    • Gasher Press
  • Added to August:
    • Sundress Publications
    • Tupelo Press
    • The Emma Press
    • Gasher Press
  • Added to October Open Readings:
    • Jacar Press: The New Voices series
    • Terrapin Books
  • Removed
    • Harpoon Books from July, August, September, October, November, and December
    • Lynx House Press from July
    • Short Flight/Long Drive Books from July
// 
199 presses that print paperback and/or hardcover poetry books.
//
30
Nov
10

Laura McCullough’s Speech Acts

A version of this may appear in Redactions: Poetry & Poetics issue 14.

Laura McCullough's Speech ActsBlack Lawrence Press has released another fine collection of poems. This time it’s Laura McCullough’s Speech Acts – an exploration into the language and experience of poetry. Yes, language. And McCullough deliberately makes poems about language. Oh, but they are fun, and they aren’t some intellectual bullying of the reader or some masturbatory ego-stroking of the poet’s cleverness. No. These are fun and enjoyable while maintaining integrity.

I am getting bored of the intellectual poetry that is void of experience, which is why I like McCullough’s newest collection,  because her poems can be intellectual while maintaining an experience.

The first section of Speech Act does this well by being sexy and showing the sexiness of language. It’s as if the first section announces to the reader: “Pay attention to language in this book. I’ll give you sex up front, but come the second section I’m gonna give you more.  I’m going to give you poems in the second section that are strong on their own, and if you read the first section, they will gain new depths. I’m telling you something more is going on down below. Dear reader, you will go down on these poems like you are going down to perform fellatio on the poem, and the poems may be ‘more than the mouth can handle’, and in a good way.” Even if you didn’t know that, you’d realize it in the poem “Crucifix Block” in the second section, but I’m getting ahead of myself, so let me explain.

The first section of the book is about language and the sexiness of language, but it’s also about the consciousness of language or the self-consciousness of language and of reading a poem.

What Burns 

I want to kiss the mouth of another
   language, feel the small muscles electric
and tingling around their vowels,
   the consonants swallowed, the silences
like small maps of a small
   engine that rests on both of our lips.
Chomsky said language
   is too difficult to deduce by attention
to repetitions, but I will
   repeat this exercise until your tongue
feels like my own and the spittle
   of apprehension collects in the pit
of my mind. Your reason
   isn't all I care for; when you speak, the air
is shaped into momentary volcanoes,
   the ash drifting into my eyes, blinding me,
so I can finally see vowels
   that float in the air like ash, like snow,
searing and momentarily illuminated.

On a sexy level, that’s like getting to first base, but I think the point is clear. The poems examine language and use the lens of sex to zoom in even closer, especially the home run poems, oo la la.

In the second section, the self-consciousness disappears. The poems become more experiential, like “Crucifix Block.” In this poem not only do you symbolically go into the unconsciousness by diving underwater with the whales and holding your breath of consciousness, but the poem moves with leaps, the kind of leaping I like and celebrate – the haiku leap, the jumping-with-sensation leap. The type of leaping that can’t occur if you are self-conscious. And there are two of these leaps in this poem.

Crucifix Block 

Today, the humpbacks have made a comeback,
   and still we know so little about them.
We don't know why they hold their breath
   and go still underwater or why they
gather off Hawaii; we do know only males
   sing the famous songs and change them each year.
We know the males rise up out
   of the water, their bodies tall, the tails submerged,
their fins extended like the cross.
   Scientists say this is to block other males from
charging a female, but I don't buy it,
   it's too grand, too high out of the water, the mating
dances far below. Whales live
   in a world they hold their breaths to survive in.
We breathe the details of our lives like oxygen
   isn't the endangered species it is.
A fog has rolled in, and someone's been disappeared,
   no charges filed, and none of us
are singing, writing letters, or even complaining at all.

These leaps are so below my consciousness, so below self-consciousness that I can’t quite explicate what the poem is trying to say, but I can tell you what the poem is doing. The first part reminds us of how the humpback whale almost went extinct. It shows us how the whale breathes, and it shows us sex acts – sex acts explained by a scientist and McCullough. The scientists give a practical answer as to why the whale behaves as it does – it’s a mating ritual. McCullough, however, gives us a grander explanation, a religious explanation. She explains it as a ritual of joy. A rising up to the gods, almost. A holy hosanna. Look at that those two lines:

We know the males rise up out
   of the water, their bodies tall, the tails submerged,

There are three prepositions in a row interrupted by a line break. You might think McCullough should get rid of “up” as that is implied by “rise.” But read it again, aloud, and with imagination. The “up” makes the humpback whale rise higher. Then higher still with “their bodies tall.”

Humpback Whale – "Crucifix Block"

The males rise up out / of the water their bodies tall, the tails submerged / their fins extended like the cross.

I can’t remember when I’ve seen three prepositions strung together like that while being successful and adding to the poem’s doings and meanings.

But back to the leaps. Back to the experiential and unself-consiousness. The first leap happens with:

We breathe the details of our lives like oxygen
   isn’t the endangered species it is.

The poem makes a leap from whale world to human world. What makes the leap work is the oxygen, the breathing. It connects the first part of the poem with the second part of the poem. The scientist helps the bridge, too, since he is human, but he is the self-consciousness, the self-conscious world we’ve been in. At the same time, he is in the whale world. That leap takes us into the human world.

The next leap takes us into the unknown, the lost, the “disappeared.” It’s almost like a movie scene, too. This is the experiential. The lack of self-consciousness. These last three lines feel right. The poem closes shut tightly and snugly. My body and extremities feel good about the poem. They embrace the poem. They say, “Yes. I get it. Wonderful.” My conscious mind, however, is a bit lost. It can’t seem to explicate. It thinks, “Maybe it has something to do with singing and rituals. Does singing and writing and complaining do something. Are the whales not extinct because they sing or because we wrote about them or because we complained when they were almost extinct and then they were brought back from extinction?”

Is this how the book works? Is this “the ars poetica hidden in the agenda”? Will the third section end up:

            [. . .] breaking the sky
   into component parts. Everything
is reanimated, but, like some crazy
   reincarnation, you can't ever be
sure if the original thing is retained
                                               ("Beauty, I Said")

The third section moves like good poems do – just moving in and out of consciousness and unconsciousness, moving in and out of water, in and out of breathing, in and out of sex, as she says in  “Animal Engine:”

   "It's the third element that matters, the one that
completes the equation, that computes to love."
   This engine gone still hums hot underneath us.

Where “engine” is sex and the momentum generator of the poems. The question of the third section:

            [. . .] Is
            there such a thing as beauty if we're
           not aware of it? ("Beauty, I Said")

After reading the second section, the answer is “Of course there is.”

“So that’s, cool,” my inner voice says. “There’s a dialectical movement between the sections, but do the poems work?”

Yes. And what’s important is that there is something new happening in these poems. A new type of engagement for the reader with the poems. It’s an engagement that explores both the experiential and self-conscious involvement of the reader. The poems are indeed Speech Acts. They are poems that act on you and ask you to act back.

These poems show how McCullough’s:

[. . .] body was fertile, then not,
then fecund, again, with language. There's           
a connection between the throat           
and vagina.
                                          ("What Can Happen in the Dunes")

I feel like this is a significant collection of poems for McCullough as she seems to be on the edge of doing something wonderful. These poems are her exploring poetry, her poetry, and her speech acts. The exploration is fun, and Speech Acts is a fine book of poems that I recommend to any reader or writer of poetry. I also await her next book, where I think she will really create and share something truly wonderful. That’s a tip to you Black Lawrence Press – Make sure you hold on to Laura McCullough because her next collection of poems is sure to be something even more special than this collection.//




The Cave (Winner of The Bitter Oleander Press Library of Poetry Book Award for 2013.)

The Cave

Material Matters

Poems for an Empty Church

Poems for an Empty Church

The Oldest Stone in the World

The Oldest Stone in the Wolrd

Henri, Sophie, & The Hieratic Head of Ezra Pound: Poems Blasted from the Vortex

Henri, Sophie, & The Hieratic Head of Ezra Pound: Poems Blasted from the Vortex

Pre-Dew Poems

Pre-Dew Poems

Negative Time

Negative Time

After Malagueña

After Malagueña

Enter your email address to subscribe to The Line Break and receive email notifications of new posts.

Join 3,265 other followers
December 2022
M T W T F S S
 1234
567891011
12131415161718
19202122232425
262728293031  

Archives

The Line Break Tweets


%d bloggers like this: