Posts Tagged ‘Four Way Books

31
Dec
12

Noelle Kocot’s The Raving Fortune (2004)

Over the next few weeks or months, I will post all my reviews (“Tom’s Celebrations”) that appeared in Redactions: Poetry, Poetics, & Prose (formerly Redactions: Poetry & Poetics) up to and including issue 12. After that, my reviews appeared here (The Line Break) before appearing in the journal. This review first appeared in issue 4/5, which was published circa early 2005.

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Noelle Kocot's – The Raving FortuneNoelle Kocot’s The Raving Fortune (Four Way Books, 2004) represents what many in this new generation of poets (roughly aged 25-40) are going through with their own poetry – trying to write a poetry that satisfies the self, their peers, & all the poets who preceded them: a poetry that talks to all poets at all times. This collection starts rough & punky in poems like “To the Place in My Head Where Ideas Come From:” & “I am the Supernova of Your Psalmistry,” where she makes clear she wants to make it new:

   I don’t like poetry, poems, or poets lately,
   Yet I get excited so easily when lines come to me:
   [. . .]
   I want to scream with aggravated pleasure
   Like the woman with the pierced clit in the porno flick.
   The images stand at attention at my fingertips,
   But I want none of it, I want to say I am 17
   And have quit writing poetry to go to business school,
   [. . .]
   Everything has been done a googol of times,
   Yet I write this still with far flung steps
   And yes, I crumpled miles of streets beneath
   Our snowy feet as, together, we slid across the threshold
   Of an age to smash the old Rosetta Stone.
                                                              (ll 13-14, 15-20, 22-26)

The poems do settle down until we reach the meditative “Poem Written in 17 Minutes,” which incorporates all the themes I have mentioned.

   Last week I looked up my name on the Web
   To see if anyone shot up anything nasty about my poetry

   Lately and sure enough they did. One person called me an “idiot,”
   (Re: inept sestinas), said I had drunk too much
   Champagne, that my words were a bunch of “bubbly nonsense.”
   It’s a step up; in grad school they were merely croutons.
                                                                            (ll 7-12)

(The “croutons” also appear in “I Don’t Think I’ll Ever Write this Poem,” a parallel & complemental poem to the one just mentioned, which illustrates how the poems talk to each other in this book.) Further in “Poem Written in 17 Minutes,” “But earlier today I went back to Celan, / And for once he didn’t scare me” (ll 18-19). She then yokes together the past literature with the current pop culture & announces:

                                                  This is beautiful   
   To me somehow. We have survived.
   We’re dying, yet we have survived, like dead bridges calcified.
   There is blood on my hands as I write this.                           
                                                (ll 26-29)

The tone of this poem rides throughout the The Raving Fortune as she finds balances between eloquence & punkiness, beautiful images & contemporary allusions, while often disobeying a few of Ezra Pound’s suggestions in “A Few Don’ts,” such as “undulant tomorrows” (in “Consolations Before an Affair, Upper West Side”) & “foam languishing” (in “The Newlyweds and the Funny Papers”), but that is her goal & she succeeds, as do almost all the poems in this collection.//

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Kocot, Noelle. The Raving Fortune. New York: Four Way Books, 2004.//

16
Jun
12

Presses with Open Readings for Full-Length Poetry Manuscripts

In the past, I have created such lists as all the Small, Independent, and University Press Poetry Book Publishers (which was up-to-date as of 3-6-10 with 687 presses) and all the Journals with “Review” in Their Title, Who Accept Poetry, and Who Have a Website (which was up-to-date as of 2-29-12 with 344 journals.) The first lists I made were Poetry Book Contests with Spring & Summer DeadlinesPoetry Book Contests with Fall & Winter Deadlines (scroll down), and Poetry Chapbook Contests (scroll down).

Now, it’s time to start a new list, and I’ll keep it here and I’ll update it as I can. Currently, these are the only ones I remember or that other kind people have reminded me of. The list will grow, and if you know of any open readings, please note them in the comments and I’ll add them to the list. I’m trying to limit this list to free readings, but I’ve listed a few that charge a reading fee.

Press with Open Reading for Full-Length Poetry Manuscripts

All the Time Open Readings (last updated 6-7-20.)

January Open Readings (Checked and updated 1-3-20.)
February Open Readings
March Open Readings
April Open Readings (last checked and updated 4-2-18)
May Open Readings
June Open Readings (last checked and updated 5-31-20)
July Open Readings (last checked and updated 7-4-19)
August Open Reading (last checked and updated 8-1-17)
September Open Readings (Last checked 9-1-17)
  • Arktoi Books (lesbian poets) (At the moment, Arktoi is not accepting submissions.)
  • Bat Cat Press (“We welcome the submission of complete manuscripts throughout the year. We read in the fall (September-December) and typically send out accept/decline letters in December and January.”)
  • Cherry Castle Publishing (“Our submission period is currently closed.”)
  • Deerbrook Editions (“Suspended until further notice. . . . The normal reading period is August 1 to October 1.” Checked 1-3-20.)
  • FutureCycle Press (They read July through December. Checked 1-3-20.)
  • Harpoon Books (For 2019. $10.)
  • Kore Press (July 9 through October 31. “Open to any women, gender queer, and transgendered artist writing in the English language, whether living in the United States or abroad, and regardless of prior publication history.” Updated 1-3-20.)
  • McSweeney’s Books (“Submissions are currently closed. We don’t have an exact date when they’ll reopen, but we’d suggest checking back in a few months. Thank you for considering McSweeney’s. (3/1/20).”)
  • Sidebrow Books (Through October 31, 2017. “In lieu of a reading fee, we are asking each of you to kindly support our press and authors by buying the book of your choice from our catalog in conjunction with this reading period.”)
  • Tarpaulin Sky Press (“Will we open for unsolicited submissions again, anytime soon? Most likely. But we’re not sure when.”)
  • University of Pittsburgh Press (Pitt Poetry Series. For poets who have previously published a poetry book.)
  • Willow Books (2017. $25.)
October Open Readings (Last updated 10-2-18)
  • Arktori Books (lesbian poets) (“At the moment, Arktoi is not accepting submissions. Check back for changes.”)
  • Apocalypse Party
  • boost house
  • Bat Cat Press (“We welcome the submission of complete manuscripts throughout the year. We read in the fall (September-December) and typically send out accept/decline letters in December and January.”)
  • Black Ocean (“We are currently accepting submissions *for first poetry books* only from October 1 through October 31, 2017.”)
  • Carnegie Mellon University Press (Not open to previous Carnegie Mellon University Press Poets. $15 reading fee.)
  • co-im-press (“Likes works in translation that are strange, transgressive, visceral-mystical, or “unpublishable” through traditional means.”)
  • Counterpath (Begin with a query and a short sample.)
  • Deerbrook Editions (“Suspended until further notice. . . . The normal reading period is August 1 to October 1.” Checked 1-3-20.)
  • El Balazo Press
  • FutureCycle Press (They read July through December. Checked 1-3-20.)
  • Gold Wake Press (Open reading begins March 1. There is no specified end date. Next open reading begins October 1 with no specified end date. Checked 1-3-20.)
  • Harpoon Books (For 2019. $10.)
  • Inside the Castle
  • Kore Press (July 9 through October 31. “Open to any women, gender queer, and transgendered artist writing in the English language, whether living in the United States or abroad, and regardless of prior publication history.” Updated 1-3-20.)
  • McSweeney’s Books (“Submissions are currently closed. We don’t have an exact date when they’ll reopen, but we’d suggest checking back in a few months. Thank you for considering McSweeney’s. (3/1/20).”)
  • Milkweed Editions (“Milkweed Editions does not anticipate holding open submissions periods in 2018.”)
  • Orison Books (Poetry in translation.)
  • Nine Arches Press (October 1-31, 2018.)
  • Sidebrow Books (“We are currently closed for book-length submissions.”)
  • Tavern Books: The Wrolstad Contemporary Series ($15 reading fee. “The Wrolstad Contemporary Poetry Series is only open to female poets aged 40 years or younger. Entrants must be US citizens..”)
  • Unicorn Press (April 1 – June 30 and October 1-December 31.)
  • University of Pittsburgh Press (Pitt Poetry Series. For poets who have previously published a poetry book.)
November Open Readings (Last updated 11-14-18)
  • Arktori Books (Lesbian poets. At the moment, Arktoi is not accepting submissions. Check back for changes.”)
  • Bat Cat Press (“We welcome the submission of complete manuscripts throughout the year. We read in the fall (September-December) and typically send out accept/decline letters in December and January.”)
  • Black Lawrence Press
  • Copper Canyon Press (The Fall/Winter 2019 open reading is: November 1 – 30, 2019.)
  • FutureCycle Press (They read July through December. Checked 1-3-20.)
  • Harpoon Books (For 2019. $10.)
  • Mason Jar Press ($4 submission fee. Presently no calls.)
  • McSweeney’s Books (“Submissions are currently closed. We don’t have an exact date when they’ll reopen, but we’d suggest checking back in a few months. Thank you for considering McSweeney’s. (3/1/20).”)
  • Tavern Books: The Wrolstad Contemporary Series ($15 reading fee. “The Wrolstad Contemporary Poetry Series is only open to female poets aged 40 years or younger. Entrants must be US citizens.”)
  • Unicorn Press (April 1 – June 30 and October 1-December 31.)
  • WordTech Communications (Includes the following imprints Cherry Grove Collections, CW Books, David Robert Books, Turning Point, Word Press, and WordTech Editions.)
December Open Readings
  • Bat Cat Press (“We welcome the submission of complete manuscripts throughout the year. We read in the fall (September-December) and typically send out accept/decline letters in December and January.”)
  • Brick Road Poetry Press (75-100 pages. December 1, 2019 – January 31, 2020.)
  • FutureCycle Press (They read July through December. Checked 1-3-20.)
  • Future Poem Books (December 1 through January 15.)
  • Green Lantern Press (December 1 through January 30.)
  • Harpoon Books (For 2019. $10.)
  • Mason Jar Press ($4 submission fee)
  • Tavern Books: The Wrolstad Contemporary Series ($25 reading fee. “The Wrolstad Contemporary Poetry Series is only open to female poets aged 40 years or younger. Entrants must be US citizens.”)
  • Tinderbox Editions (December 1-7 fee-free open reading period. December 1 – January 30 $22 donation period.)
  • Unicorn Press (April 1 – June 30 and October 1-December 31.)
  • WordTech Communications (Includes the following imprints Cherry Grove Collections, CW Books, David Robert Books, Turning Point, Word Press, and WordTech Editions. Closes December 15.)

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More to come.

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Ultimate update: 6-7-20:

  • Added to All the Time Open Readings:
    • Deep Vellum
    • Milk Press
    • Snake Nation Press
    • Ugly Duckling Presse
  • Added The Elephants to May and June
Penultimate update: 6-2-20:
  • Added to All the Time Open Readings:
    • 8th House Publishing
    • 11:11 Press
    • A.B. Baird Publishing
    • A15 Publishing
    • All Things Matter Press
    • Andrew McMeel Publishing
    • April Gloaming Publishing
    • bd-studios
    • Better Than Starbucks
    • Biblioasis
    • Black Mountain Press
    • Caitlin Press Inc.
    • Cephalo Press
    • City Lights Books
    • Clash Books
    • Coach House Books
    • Coteau Books
    • Encircle Publications
    • Fragmented Voices
    • Fremantle Press
    • Giramondo Publishing
    • Grey Borders Books
    • Holland Park Press
    • Invisible Publishing
    • IF SF Publishing
    • Luath Press
    • New Meridian Arts
    • Peepal Tree Press
    • Penteract Press
    • Plough Books
    • Propertius Press
    • Rebel Mountain Press
    • Red Dirt Press
    • Shanti Arts
    • Shearsman Books
    • Slant
    • Threadsuns Press
    • University of Saint Katherine Press
    • University Professors Press
    • Unsolicited Press
    • Urtica Press
    • Victoria University Press
    • Wesleyan University Press
    • Whiskey Tit
    • Word West
    • Xi Draconis Books
  • Added Close-Up Books to April, May, July, and August
Antepenultimate update: 5-31-20: Removed Short Flight/Long Drive Books from May and June
Preantepenultimate update: 4-25-20: Added Black Centipede Press to All the Time Open Readings.
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194 presses that print paperback and/or hardcover poetry books.//



The Cave (Winner of The Bitter Oleander Press Library of Poetry Book Award for 2013.)

The Cave

Poems for an Empty Church

Poems for an Empty Church

The Oldest Stone in the World

The Oldest Stone in the Wolrd

Henri, Sophie, & The Hieratic Head of Ezra Pound: Poems Blasted from the Vortex

Henri, Sophie, & The Hieratic Head of Ezra Pound: Poems Blasted from the Vortex

Pre-Dew Poems

Pre-Dew Poems

Negative Time

Negative Time

After Malagueña

After Malagueña

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