Posts Tagged ‘Panhandler Books

12
May
19

Introduction for Allan Peterson Reading

A version of this review (and a better edited version) may appear in a future issue of Redactions: Poetry & Poetics.

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From Introduction to Allan Peterson’s Reading

at The University of Southern Mississippi on Friday, April 26, 2019

Allan Peterson This Luminous: New and Selected PoemsThe first time I encountered Allan Peterson was early in my first semester at The University of Southern Mississippi in August 2012, where I was beginning the doctorate program for creative writing. I barely knew anyone yet, but I knew there was a poetry reading and I went to it. And there was Allan Peterson. I would like to give you an impression of me hearing Peterson for the first time. [jaw drops. eyes pop out of face. uses index finger to close jaw.] As that happened, I thought, “Who is this guy? Why don’t I know about him? I’ve missed so much. So many of these uniquely detailed images.” Here is an example: “trains threw oars of light from their windows. / In endless black you could see them rowing through Kansas.” The image is so original. It’s like someone who sees the world without the lens of language getting in the way. In other words, he sees things fresh, inimitable. Here’s another: “The ocean seems endless when two dolphins divide it. / Epistemology follows.”  The image alone is breathless, but that turn on the line break to “Epistemology follows.” I was knocked out by how he could mix an image with a philosophical abstraction. I love these leaping and seemingly inconceivable connections. I was hooked right then and there.

But I continued to listen to his reading. I listened to how, as W.B. Yeats said of a good poem, his poems “click shut like a well-made box.” And I imagine Mary Poppins listening to him, and thinking “My supercalifragilisticexpialidocious ain’t got nothing on him,” because he uses words that I’ve never heard before, but they are so fun to read and say, like “cotyledons,” which is an embryonic leaf in a seed-bearing light; or “coelenterates,” which is an aquatic invertebrate animal; or “carnelian,” a shade of red; or “alizarin,” a dye used to make a shade of red. The last two words are probably familiar to artists, and Peterson is also a visual artist, which is probably why he sees the world so uniquely. Or as the critic Stephanie Burt says (and if Stephanie Burt is writing about your poetry, you must be doing something amazing), “No other poet [. . .] focuses so fully on the inward effects of apparently inconsequential observations; no other poet makes them speak so well. [. . .] Peterson almost never describes scenes literally and at length; poets who do so can lose a lopsided contest against the resources of visual art, as Peterson must know [. . .]. Instead, Peterson uses what he sees as a starting point for effects of inwardness, of ratiocination, above all of analogy.”

I feel I could go on and on, but I won’t. I’ll just say two more things. First, Peterson is the author of six full-length books of poetry, most recently: This Luminous: New and Selected Poems (Panhandler Books, 2019); Precarious (42 Miles Press, 2014), which was a finalist for The Lascaux Prize and chosen as one of the four best books of poetry in 2014 by The Chicago Tribune; my personal favorite, Fragile Acts (McSweeney’s Poetry Series, 2012), which was a finalist for both the National Book Critics Circle Award and the Oregon Book Award; and Susceptible (forthcoming from Salmon Press in 2020). And he is the author of eight chapbooks, most recently: Other Than They Seem (Tupelo Press, 2014), which won the Snowbound Chapbook Prize; and Omnivore (Bateau Press, 2009), which won the Third Annual Boom Chapbook Prize. He has also received fellowships from the National Endowments for the Arts and from The State of Florida.

The last thing I would like to say is: Tonight, listen with your eyes.

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Works Cited

“About.” Allan Peterson, www.allanpeterson.net. Accessed 17 Apr. 2019.

Burt, Stephanie. “In the Details: Looking Closely with Allan Peterson.” Boston Review, 1 July 2011, bostonreview.net/poetry/stephen-burt-allan-peterson-as-much-as. Accessed 17 Apr. 2019.

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16
Jun
12

Presses with Open Readings for Full-Length Poetry Manuscripts

In the past, I have created such lists as all the Small, Independent, and University Press Poetry Book Publishers (which was up-to-date as of 3-6-10 with 687 presses) and all the Journals with “Review” in Their Title, Who Accept Poetry, and Who Have a Website (which was up-to-date as of 2-29-12 with 344 journals.) The first lists I made were Poetry Book Contests with Spring & Summer DeadlinesPoetry Book Contests with Fall & Winter Deadlines (scroll down), and Poetry Chapbook Contests (scroll down).

Now, it’s time to start a new list, and I’ll keep it here and I’ll update it as I can. Currently, these are the only ones I remember or that other kind people have reminded me of. The list will grow, and if you know of any open readings, please note them in the comments and I’ll add them to the list. I’m trying to limit this list to free readings, but I’ve listed a few that charge a reading fee.

Press with Open Reading for Full-Length Poetry Manuscripts

All the Time Open Readings (last updated 6-7-20.)

January Open Readings (Checked and updated 1-3-20.)
February Open Readings
March Open Readings
April Open Readings (last checked and updated 4-2-18)
May Open Readings
June Open Readings (last checked and updated 5-31-20)
July Open Readings (last checked and updated 7-4-19)
August Open Reading (last checked and updated 8-1-17)
September Open Readings (Last checked 9-1-17)
  • Arktoi Books (lesbian poets) (At the moment, Arktoi is not accepting submissions.)
  • Bat Cat Press (“We welcome the submission of complete manuscripts throughout the year. We read in the fall (September-December) and typically send out accept/decline letters in December and January.”)
  • Cherry Castle Publishing (“Our submission period is currently closed.”)
  • Deerbrook Editions (“Suspended until further notice. . . . The normal reading period is August 1 to October 1.” Checked 1-3-20.)
  • FutureCycle Press (They read July through December. Checked 1-3-20.)
  • Harpoon Books (For 2019. $10.)
  • Kore Press (July 9 through October 31. “Open to any women, gender queer, and transgendered artist writing in the English language, whether living in the United States or abroad, and regardless of prior publication history.” Updated 1-3-20.)
  • McSweeney’s Books (“Submissions are currently closed. We don’t have an exact date when they’ll reopen, but we’d suggest checking back in a few months. Thank you for considering McSweeney’s. (3/1/20).”)
  • Sidebrow Books (Through October 31, 2017. “In lieu of a reading fee, we are asking each of you to kindly support our press and authors by buying the book of your choice from our catalog in conjunction with this reading period.”)
  • Tarpaulin Sky Press (“Will we open for unsolicited submissions again, anytime soon? Most likely. But we’re not sure when.”)
  • University of Pittsburgh Press (Pitt Poetry Series. For poets who have previously published a poetry book.)
  • Willow Books (2017. $25.)
October Open Readings (Last updated 10-2-18)
  • Arktori Books (lesbian poets) (“At the moment, Arktoi is not accepting submissions. Check back for changes.”)
  • Apocalypse Party
  • boost house
  • Bat Cat Press (“We welcome the submission of complete manuscripts throughout the year. We read in the fall (September-December) and typically send out accept/decline letters in December and January.”)
  • Black Ocean (“We are currently accepting submissions *for first poetry books* only from October 1 through October 31, 2017.”)
  • Carnegie Mellon University Press (Not open to previous Carnegie Mellon University Press Poets. $15 reading fee.)
  • co-im-press (“Likes works in translation that are strange, transgressive, visceral-mystical, or “unpublishable” through traditional means.”)
  • Counterpath (Begin with a query and a short sample.)
  • Deerbrook Editions (“Suspended until further notice. . . . The normal reading period is August 1 to October 1.” Checked 1-3-20.)
  • El Balazo Press
  • FutureCycle Press (They read July through December. Checked 1-3-20.)
  • Gold Wake Press (Open reading begins March 1. There is no specified end date. Next open reading begins October 1 with no specified end date. Checked 1-3-20.)
  • Harpoon Books (For 2019. $10.)
  • Inside the Castle
  • Kore Press (July 9 through October 31. “Open to any women, gender queer, and transgendered artist writing in the English language, whether living in the United States or abroad, and regardless of prior publication history.” Updated 1-3-20.)
  • McSweeney’s Books (“Submissions are currently closed. We don’t have an exact date when they’ll reopen, but we’d suggest checking back in a few months. Thank you for considering McSweeney’s. (3/1/20).”)
  • Milkweed Editions (“Milkweed Editions does not anticipate holding open submissions periods in 2018.”)
  • Orison Books (Poetry in translation.)
  • Nine Arches Press (October 1-31, 2018.)
  • Sidebrow Books (“We are currently closed for book-length submissions.”)
  • Tavern Books: The Wrolstad Contemporary Series ($15 reading fee. “The Wrolstad Contemporary Poetry Series is only open to female poets aged 40 years or younger. Entrants must be US citizens..”)
  • Unicorn Press (April 1 – June 30 and October 1-December 31.)
  • University of Pittsburgh Press (Pitt Poetry Series. For poets who have previously published a poetry book.)
November Open Readings (Last updated 11-14-18)
  • Arktori Books (Lesbian poets. At the moment, Arktoi is not accepting submissions. Check back for changes.”)
  • Bat Cat Press (“We welcome the submission of complete manuscripts throughout the year. We read in the fall (September-December) and typically send out accept/decline letters in December and January.”)
  • Black Lawrence Press
  • Copper Canyon Press (The Fall/Winter 2019 open reading is: November 1 – 30, 2019.)
  • FutureCycle Press (They read July through December. Checked 1-3-20.)
  • Harpoon Books (For 2019. $10.)
  • Mason Jar Press ($4 submission fee. Presently no calls.)
  • McSweeney’s Books (“Submissions are currently closed. We don’t have an exact date when they’ll reopen, but we’d suggest checking back in a few months. Thank you for considering McSweeney’s. (3/1/20).”)
  • Tavern Books: The Wrolstad Contemporary Series ($15 reading fee. “The Wrolstad Contemporary Poetry Series is only open to female poets aged 40 years or younger. Entrants must be US citizens.”)
  • Unicorn Press (April 1 – June 30 and October 1-December 31.)
  • WordTech Communications (Includes the following imprints Cherry Grove Collections, CW Books, David Robert Books, Turning Point, Word Press, and WordTech Editions.)
December Open Readings
  • Bat Cat Press (“We welcome the submission of complete manuscripts throughout the year. We read in the fall (September-December) and typically send out accept/decline letters in December and January.”)
  • Brick Road Poetry Press (75-100 pages. December 1, 2019 – January 31, 2020.)
  • FutureCycle Press (They read July through December. Checked 1-3-20.)
  • Future Poem Books (December 1 through January 15.)
  • Green Lantern Press (December 1 through January 30.)
  • Harpoon Books (For 2019. $10.)
  • Mason Jar Press ($4 submission fee)
  • Tavern Books: The Wrolstad Contemporary Series ($25 reading fee. “The Wrolstad Contemporary Poetry Series is only open to female poets aged 40 years or younger. Entrants must be US citizens.”)
  • Tinderbox Editions (December 1-7 fee-free open reading period. December 1 – January 30 $22 donation period.)
  • Unicorn Press (April 1 – June 30 and October 1-December 31.)
  • WordTech Communications (Includes the following imprints Cherry Grove Collections, CW Books, David Robert Books, Turning Point, Word Press, and WordTech Editions. Closes December 15.)

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More to come.

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Ultimate update: 6-7-20:

  • Added to All the Time Open Readings:
    • Deep Vellum
    • Milk Press
    • Snake Nation Press
    • Ugly Duckling Presse
  • Added The Elephants to May and June
Penultimate update: 6-2-20:
  • Added to All the Time Open Readings:
    • 8th House Publishing
    • 11:11 Press
    • A.B. Baird Publishing
    • A15 Publishing
    • All Things Matter Press
    • Andrew McMeel Publishing
    • April Gloaming Publishing
    • bd-studios
    • Better Than Starbucks
    • Biblioasis
    • Black Mountain Press
    • Caitlin Press Inc.
    • Cephalo Press
    • City Lights Books
    • Clash Books
    • Coach House Books
    • Coteau Books
    • Encircle Publications
    • Fragmented Voices
    • Fremantle Press
    • Giramondo Publishing
    • Grey Borders Books
    • Holland Park Press
    • Invisible Publishing
    • IF SF Publishing
    • Luath Press
    • New Meridian Arts
    • Peepal Tree Press
    • Penteract Press
    • Plough Books
    • Propertius Press
    • Rebel Mountain Press
    • Red Dirt Press
    • Shanti Arts
    • Shearsman Books
    • Slant
    • Threadsuns Press
    • University of Saint Katherine Press
    • University Professors Press
    • Unsolicited Press
    • Urtica Press
    • Victoria University Press
    • Wesleyan University Press
    • Whiskey Tit
    • Word West
    • Xi Draconis Books
  • Added Close-Up Books to April, May, July, and August
Antepenultimate update: 5-31-20: Removed Short Flight/Long Drive Books from May and June
Preantepenultimate update: 4-25-20: Added Black Centipede Press to All the Time Open Readings.
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194 presses that print paperback and/or hardcover poetry books.//



The Cave (Winner of The Bitter Oleander Press Library of Poetry Book Award for 2013.)

The Cave

Poems for an Empty Church

Poems for an Empty Church

The Oldest Stone in the World

The Oldest Stone in the Wolrd

Henri, Sophie, & The Hieratic Head of Ezra Pound: Poems Blasted from the Vortex

Henri, Sophie, & The Hieratic Head of Ezra Pound: Poems Blasted from the Vortex

Pre-Dew Poems

Pre-Dew Poems

Negative Time

Negative Time

After Malagueña

After Malagueña

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