Posts Tagged ‘Tupelo Press

26
Dec
12

Natasha Sajé’s Bend (2004)

Over the next few weeks or months, I will post all my reviews (“Tom’s Celebrations”) that appeared in Redactions: Poetry, Poetics, & Prose (formerly Redactions: Poetry & Poetics) up to and including issue 12. After that, my reviews appeared here (The Line Break) before appearing in the journal. This review first appeared in issue 4/5, which was published circa early 2005.

//

Natasha Sajé's – BendA certain poet lamenting about his newest collection of poems – it not having enough good poems – shared his uncertainty about the book with Ezra Pound. Pound, trying to put the new collection of poems & the poet into perspective, commented something like, “If you are lucky enough to have one or two good poems in a book, then you have a good book.” Sajé’s book has more than a couple of good poems, & one great poem – thus a great book, if we extend Pound’s line of thinking.

“I See” is a poem I keep returning to. It is an intelligent poem that “bends” Gertrude Stein’s “A rose is a rose is a rose.” But the poem itself is not heavy-intellectual, like Stein can be; it’s the reverberations that create this intelligent poem – & so far the reverberations have sustained themselves for over a year with the reader. This poem, among others, shows how the lens of language can “bend” perception, can bend what isn’t into what is, so as to realize “then what can’t be mistaken / for something that it’s not?” This poem also succeeds because the poem makes us experience what the speaker experienced & in the same manner, & I suspect in the same amount of time. The experience traveled to the page & all the way over to this reader, which is what a great poem does. I’d love to quote more of the poem, but the experience needs to be had in full.

Nonetheless, Natasha Sajé’s Bend (Tupelo Press, 2004) is filled with more intriguing stories/experiences that bend unexpectedly, more lyrics that twist freshness from the mundane or anticipated, & more dialogues between language & perception, but all the while the poems stay clear & inviting. The language is always fresh, always moving, & always bending.//

//

//

//

Sajé, Natasha. Bend. Dorset, VT: Tupelo Press, 2004.//

16
Jun
12

Presses with Open Readings for Full-Length Poetry Manuscripts

In the past, I have created such lists as all the Small, Independent, and University Press Poetry Book Publishers (which was up-to-date as of 3-6-10 with 687 presses) and all the Journals with “Review” in Their Title, Who Accept Poetry, and Who Have a Website (which was up-to-date as of 2-29-12 with 344 journals.) The first lists I made were Poetry Book Contests with Spring & Summer DeadlinesPoetry Book Contests with Fall & Winter Deadlines (scroll down), and Poetry Chapbook Contests (scroll down).

Now, it’s time to start a new list, and I’ll keep it here and I’ll update it as I can. Currently, these are the only ones I remember or that other kind people have reminded me of. The list will grow, and if you know of any open readings, please note them in the comments and I’ll add them to the list. I’m trying to limit this list to free readings, but I’ve listed a few that charge a reading fee.

Press with Open Reading for Full-Length Poetry Manuscripts

All the Time Open Readings (last updated 6-7-20.)

January Open Readings (Checked and updated 1-3-20.)
February Open Readings
March Open Readings
April Open Readings (last checked and updated 4-2-18)
May Open Readings
June Open Readings (last checked and updated 5-31-20)
July Open Readings (last checked and updated 7-4-19)
August Open Reading (last checked and updated 8-1-17)
September Open Readings (Last checked 9-1-17)
  • Arktoi Books (lesbian poets) (At the moment, Arktoi is not accepting submissions.)
  • Bat Cat Press (“We welcome the submission of complete manuscripts throughout the year. We read in the fall (September-December) and typically send out accept/decline letters in December and January.”)
  • Cherry Castle Publishing (“Our submission period is currently closed.”)
  • Deerbrook Editions (“Suspended until further notice. . . . The normal reading period is August 1 to October 1.” Checked 1-3-20.)
  • FutureCycle Press (They read July through December. Checked 1-3-20.)
  • Harpoon Books (For 2019. $10.)
  • Kore Press (July 9 through October 31. “Open to any women, gender queer, and transgendered artist writing in the English language, whether living in the United States or abroad, and regardless of prior publication history.” Updated 1-3-20.)
  • McSweeney’s Books (“Submissions are currently closed. We don’t have an exact date when they’ll reopen, but we’d suggest checking back in a few months. Thank you for considering McSweeney’s. (3/1/20).”)
  • Sidebrow Books (Through October 31, 2017. “In lieu of a reading fee, we are asking each of you to kindly support our press and authors by buying the book of your choice from our catalog in conjunction with this reading period.”)
  • Tarpaulin Sky Press (“Will we open for unsolicited submissions again, anytime soon? Most likely. But we’re not sure when.”)
  • University of Pittsburgh Press (Pitt Poetry Series. For poets who have previously published a poetry book.)
  • Willow Books (2017. $25.)
October Open Readings (Last updated 10-2-18)
  • Arktori Books (lesbian poets) (“At the moment, Arktoi is not accepting submissions. Check back for changes.”)
  • Apocalypse Party
  • boost house
  • Bat Cat Press (“We welcome the submission of complete manuscripts throughout the year. We read in the fall (September-December) and typically send out accept/decline letters in December and January.”)
  • Black Ocean (“We are currently accepting submissions *for first poetry books* only from October 1 through October 31, 2017.”)
  • Carnegie Mellon University Press (Not open to previous Carnegie Mellon University Press Poets. $15 reading fee.)
  • co-im-press (“Likes works in translation that are strange, transgressive, visceral-mystical, or “unpublishable” through traditional means.”)
  • Counterpath (Begin with a query and a short sample.)
  • Deerbrook Editions (“Suspended until further notice. . . . The normal reading period is August 1 to October 1.” Checked 1-3-20.)
  • El Balazo Press
  • FutureCycle Press (They read July through December. Checked 1-3-20.)
  • Gold Wake Press (Open reading begins March 1. There is no specified end date. Next open reading begins October 1 with no specified end date. Checked 1-3-20.)
  • Harpoon Books (For 2019. $10.)
  • Inside the Castle
  • Kore Press (July 9 through October 31. “Open to any women, gender queer, and transgendered artist writing in the English language, whether living in the United States or abroad, and regardless of prior publication history.” Updated 1-3-20.)
  • McSweeney’s Books (“Submissions are currently closed. We don’t have an exact date when they’ll reopen, but we’d suggest checking back in a few months. Thank you for considering McSweeney’s. (3/1/20).”)
  • Milkweed Editions (“Milkweed Editions does not anticipate holding open submissions periods in 2018.”)
  • Orison Books (Poetry in translation.)
  • Nine Arches Press (October 1-31, 2018.)
  • Sidebrow Books (“We are currently closed for book-length submissions.”)
  • Tavern Books: The Wrolstad Contemporary Series ($15 reading fee. “The Wrolstad Contemporary Poetry Series is only open to female poets aged 40 years or younger. Entrants must be US citizens..”)
  • Unicorn Press (April 1 – June 30 and October 1-December 31.)
  • University of Pittsburgh Press (Pitt Poetry Series. For poets who have previously published a poetry book.)
November Open Readings (Last updated 11-14-18)
  • Arktori Books (Lesbian poets. At the moment, Arktoi is not accepting submissions. Check back for changes.”)
  • Bat Cat Press (“We welcome the submission of complete manuscripts throughout the year. We read in the fall (September-December) and typically send out accept/decline letters in December and January.”)
  • Black Lawrence Press
  • Copper Canyon Press (The Fall/Winter 2019 open reading is: November 1 – 30, 2019.)
  • FutureCycle Press (They read July through December. Checked 1-3-20.)
  • Harpoon Books (For 2019. $10.)
  • Mason Jar Press ($4 submission fee. Presently no calls.)
  • McSweeney’s Books (“Submissions are currently closed. We don’t have an exact date when they’ll reopen, but we’d suggest checking back in a few months. Thank you for considering McSweeney’s. (3/1/20).”)
  • Tavern Books: The Wrolstad Contemporary Series ($15 reading fee. “The Wrolstad Contemporary Poetry Series is only open to female poets aged 40 years or younger. Entrants must be US citizens.”)
  • Unicorn Press (April 1 – June 30 and October 1-December 31.)
  • WordTech Communications (Includes the following imprints Cherry Grove Collections, CW Books, David Robert Books, Turning Point, Word Press, and WordTech Editions.)
December Open Readings
  • Bat Cat Press (“We welcome the submission of complete manuscripts throughout the year. We read in the fall (September-December) and typically send out accept/decline letters in December and January.”)
  • Brick Road Poetry Press (75-100 pages. December 1, 2019 – January 31, 2020.)
  • FutureCycle Press (They read July through December. Checked 1-3-20.)
  • Future Poem Books (December 1 through January 15.)
  • Green Lantern Press (December 1 through January 30.)
  • Harpoon Books (For 2019. $10.)
  • Mason Jar Press ($4 submission fee)
  • Tavern Books: The Wrolstad Contemporary Series ($25 reading fee. “The Wrolstad Contemporary Poetry Series is only open to female poets aged 40 years or younger. Entrants must be US citizens.”)
  • Tinderbox Editions (December 1-7 fee-free open reading period. December 1 – January 30 $22 donation period.)
  • Unicorn Press (April 1 – June 30 and October 1-December 31.)
  • WordTech Communications (Includes the following imprints Cherry Grove Collections, CW Books, David Robert Books, Turning Point, Word Press, and WordTech Editions. Closes December 15.)

//

More to come.

//

Ultimate update: 6-7-20:

  • Added to All the Time Open Readings:
    • Deep Vellum
    • Milk Press
    • Snake Nation Press
    • Ugly Duckling Presse
  • Added The Elephants to May and June
Penultimate update: 6-2-20:
  • Added to All the Time Open Readings:
    • 8th House Publishing
    • 11:11 Press
    • A.B. Baird Publishing
    • A15 Publishing
    • All Things Matter Press
    • Andrew McMeel Publishing
    • April Gloaming Publishing
    • bd-studios
    • Better Than Starbucks
    • Biblioasis
    • Black Mountain Press
    • Caitlin Press Inc.
    • Cephalo Press
    • City Lights Books
    • Clash Books
    • Coach House Books
    • Coteau Books
    • Encircle Publications
    • Fragmented Voices
    • Fremantle Press
    • Giramondo Publishing
    • Grey Borders Books
    • Holland Park Press
    • Invisible Publishing
    • IF SF Publishing
    • Luath Press
    • New Meridian Arts
    • Peepal Tree Press
    • Penteract Press
    • Plough Books
    • Propertius Press
    • Rebel Mountain Press
    • Red Dirt Press
    • Shanti Arts
    • Shearsman Books
    • Slant
    • Threadsuns Press
    • University of Saint Katherine Press
    • University Professors Press
    • Unsolicited Press
    • Urtica Press
    • Victoria University Press
    • Wesleyan University Press
    • Whiskey Tit
    • Word West
    • Xi Draconis Books
  • Added Close-Up Books to April, May, July, and August
Antepenultimate update: 5-31-20: Removed Short Flight/Long Drive Books from May and June
Preantepenultimate update: 4-25-20: Added Black Centipede Press to All the Time Open Readings.
//
 
194 presses that print paperback and/or hardcover poetry books.//



The Cave (Winner of The Bitter Oleander Press Library of Poetry Book Award for 2013.)

The Cave

Poems for an Empty Church

Poems for an Empty Church

The Oldest Stone in the World

The Oldest Stone in the Wolrd

Henri, Sophie, & The Hieratic Head of Ezra Pound: Poems Blasted from the Vortex

Henri, Sophie, & The Hieratic Head of Ezra Pound: Poems Blasted from the Vortex

Pre-Dew Poems

Pre-Dew Poems

Negative Time

Negative Time

After Malagueña

After Malagueña

Enter your email address to subscribe to The Line Break and receive email notifications of new posts.

Join 2,818 other followers

November 2020
M T W T F S S
 1
2345678
9101112131415
16171819202122
23242526272829
30  

Archives

The Line Break Tweets


%d bloggers like this: